The studio

Analog hardware, digital composition

Every production balances analog hardware techniques with digital composition workflows. Recording chains, tape, and physical instruments sit beside editing suites and image pipelines, so a single piece can move from a warm, imperfect take to a precise audio visual master.

The studio is an independent practice. Projects emerge through sustained collaboration and independent research, and the workspace is kept deliberately close to the work it produces.

Wide, low-key documentary photograph of an independent audio visual studio at night: a tape machine and a bank of analog

Method

From acoustic draft to finished master

01

Acoustic draft

Work begins with raw sound: field recordings, instrument takes, or a rough sketch made by hand. The aim is a draft that holds character before any polish is applied.

02

Analog treatment

Selected material passes through hardware processing, tape, and physical instruments, shaping texture and weight that are difficult to reproduce digitally.

03

Digital composition

Sound and image are assembled in editing and mixing workflows, where structure, timing, and detail are refined against the original intent.

04

Finished master

The final audio visual master is checked across formats and prepared for its destination, whether a screen, an installation, or a printed edition.